International art dealer, curator and painter and owner of TW Fine Art Gallery.
International art dealer, curator and painter and owner of TW Fine Art Gallery.
Tove Langridge, a luminary in the realm of international art, wears multiple hats as an art dealer, curator, and accomplished painter. As the visionary owner of TW Fine Art Gallery, Tove has established himself as a driving force in the art world, seamlessly blending his passion for curation and artistic creation. We chatted to Tove about his amazing international career and his new Pop Up Gallery at The Oasis.
What do you love the most about the Gold Coast?
I love how the city meets the sea. I can wake up, go for a swim with my dog before work and then again when I come home. It’s literally one of the most beautiful places to live on earth and I know my dog Otto agrees!
Tell us a little bit about yourself.
I love the outdoors, but I’m also pretty left-brained. I’m inspired by ideas, art and culture and when I was younger the left side of my brain won out, leading me to New York City where I studied painting and art history.
I lived and worked in the city for almost 15 years but as I grew older my perspectives shifted. I missed my family and my friends from home, and I craved a more balanced life where I could enjoy the outdoors and nature for more than a few months of the year. That led me back home to Australia.
Can you share a bit about your journey into the art world and what inspired you to become an art dealer and curator?
My grandfather was an architect and my mum always made jewellery & ceramics. I was always around creativity in various forms and loved making things myself. It just didn’t seem like an option as a career when I grew up so I went and did a business degree.
However, after working in Sydney for many years and already in my 20s, I just thought why not apply to art schools in New York. I got into my top pick – SVA which had alumni like Keith Harring, and the rest is history.
After I graduated, I landed a position working for Lynda Benglis and then Abstract Expressionist Michael Goldberg, then ultimately his estate after he passed away. I had access to such incredible works of art, galleries and artists. I was so fortunate to be working within the legacy of New York modernism. I never looked back.
What factors do you consider in selecting and presenting artworks?
I love ideas. Artworks that can articulate how we think and feel within the visual language are genius. We forget that paintings employ a language that isn’t word-based, and just like any language you pick it up over time.
Once you start to understand it, a whole world of intuitive meaning opens up. Part of my job is encouraging people to engage with the visual language, to demystify it or rather remove it from the context of advertising to which it is so intertwined.
It’s the oldest language in human history, it was designed to communicate in a way that words cannot. Like music, it has no literal meaning and it’s universal.
Does your work as a painter influence your curatorial decisions?
I would say yes. Because I make paintings myself, I can see the inner workings of the painting. It’s a very difficult thing to make a great painting. Robert Nava once said it’s like describing a sprinter running a perfect race.
As a non-athlete, I see the brilliance, the thrill of the performance. Another sprinter would also see that brilliance but they are also able to break down all the technical reasons as to how the sprinter executed the race. A great painting makes us compelled to admire it, but often it’s difficult to describe explicitly why we love it.
Are there particular exhibitions at TW Fine Art that you found especially fulfilling or that had a significant impact?
Absolutely. One of my favourite shows was called ‘Learn, Unlearn, Repeat’ in 2018. It brought together artists from Europe, Australia and America (a few are some of the biggest most collectible contemporary artists in the world).
The premise of the show was to always be open to learning new things and ideas, and just when you think you you know a great deal, dissect that knowledge and relearn it with fresh intent. Each artist in that show is forever changing, unafraid of experimentation and failure in pursuit of that undefined goal within their work.
Tell us a bit about your Oasis Pop-Up gallery.
We are here for 3 months on level 1. Over the three months, we will host three different exhibitions. First up and on view now is Australian painter Odessa Mahony-de Vries who creates wonderful large-scale abstractions. Second up is one of my good friends Chris Trueman from Los Angeles, and finally a British painter who also loves Los Angeles – Max Presneill.
We also have many works by other artists from our stockroom as well as access to our online catalogue of limited-edition prints. The prints can be ordered in any size in the gallery, they are then printed, framed and delivered direct to your home from our print shop. Our hours are 10:00 – 4:00pm Tuesday – Saturday.
Can you give us some tips on how to pick art for our home?
Scale up, a big piece always makes a statement. I’m a big fan of everything in your home having a story & that story is told through the threads of how you relate to the pieces in your home and why you purchased them. Spend some time around paintings, you may gravitate to minimal pieces, or bold gestural abstracts or a combination of styles.
Art is about feeling and personality, sometimes (like people) paintings grow on you, your first reaction may not be accurate. Come in to see me at the gallery and I’ll introduce you to some fantastic artworks and you can go from there!
What are your Gold Coast favourites:
Café: The Milkman’s Daughter
Restaurant: Omeros Bros
Bar: Sunset Bar and Grill
Beach: Mermaid Beach (it’s my local)
How do you choose to spend your days off?
Generally with friends and family, but if it’s a nice day, you’ll generally find me on the beach with the doggo.